The most impactful, thoroughly modern art collection in the world does not sit in some industrialist’s private collection, nor in the great museums of New York. Instead, the masterpieces – encompassing art from Basquiat to Banksy – reside in quiet anonymity in crates in a massive warehouse in Delaware, out of sight.
The Delaware Freeport, a climate-controlled, high-security art storage facility, is a fiscal and physical black box, a low-key but bustling node in the increasingly intertwined global networks of art and capital.
