In July 1966, as the Beatles were preparing to release Revolver and Spain was approaching the 30th anniversary of the coup that birthed the Franco dictatorship, a Spanish-Filipino artist called Fernando Zóbel threw open the doors of an improbable but visionary cultural outpost.
Based in a clutch of 15th-century houses overhanging a precipitous gorge in the small city of Cuenca, the Museo de Arte Abstracto Español, or Museum of Spanish Abstract Art, had a simple if daunting mission. As Manuel Fontán del Junco, the director of museums and exhibitions at the Juan March Foundation in Madrid and one of the curators of a new exhibition about the institution, puts it, “it was a museum for artists in a country of artists without museums”.
