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The Guardian - UK
The Guardian - UK
Entertainment
Mark Kermode

Mark Kermode on… director Hayao Miyazaki, who speaks to the child in all of us

a composite of four images from My Neighbour Totoro; Spirited Away; Princess Mononoke and Nausicaa of the Valley of the Wind.
‘A universal language that transcends national boundaries’: (clockwise from top left) My Neighbour Totoro; Spirited Away; Princess Mononoke; Nausicaä of the Valley of the Wind. Composite: Rex/Shutterstock; Optimum Releasing; Alamy

Is Japanese film-maker Hayao Miyazaki “the greatest family entertainer of our time”? That was the conclusion I reached about the writer-director behind such animated wonders as Kiki’s Delivery Service (1989), Spirited Away (2001) and Howl’s Moving Castle (2004) when reviewing Miyazaki’s 2008 charmer Ponyo in this paper. A few years later, while compiling a list of the 25 best films for children – a list that ranged from Chaplin’s 1921 classic The Kid to Nora Twomey’s 2017 beauty The Breadwinner – I wrote that “it’s hard to decide which of Hayao Miyazaki’s matchless animations to include in this list”.

Born in Tokyo in 1941, Miyazaki joined Toei Animation in 1963 and co-founded Studio Ghibli in 1985, creating a stream of world-beating animations, any one of which would have been a worthy contender. In the end I plumped for My Neighbour Totoro (1988), the beloved Studio Ghibli gem about youngsters befriending forest spirits that retains a special place in viewers’ hearts, not least because it perfectly embodies the pan-generational appeal of Miyazaki’s finest work.

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