AS Scottish Opera opens its production of Argentine composer Osvaldo Golijov’s opera Ainadamar – a reflection on the life, work and death of the great Spanish poet and dramatist Federico Garcia Lorca – it occurs to me that Scotland has not been kind to Lorca in recent decades.
In 2006, director Jeremy Raison mangled the great play of forbidden love Blood Wedding in an unforgettably dreadful production for Glasgow’s Citizens Theatre.
