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The Guardian - UK
The Guardian - UK
Entertainment
Tom Service

Making earwax melt and teeth rattle: the project returning music to our bodies

Brought to their knees … singers and players kneel during the workshop performance of Bach’s St John Passion at the Royal Academy of Music.
Brought to their knees … Nicholas Mulroy (left) and Magaret Faultless (centre) perform Bach’s St John Passion at the Royal Academy of Music. Photograph: Music in the Flesh

Professor Bettina Varwig wants to get us moving – and feeling, and listening, but primarily moving. The University of Cambridge academic says classical audiences today are “asked to leave our breathing, pulsing, feeling bodies at the door”. In concert halls we are told not to move or make a sound, subdue all the things that make us human. Whatever you do, don’t give in to the things your body is viscerally telling you when you experience a piece like Bach’s St John Passion, the way the music churns emotions and agitates your sinful heart. You have to listen passively, you can’t sigh or cry or clap in the wrong place, even if that’s what your whole being is telling you that you need to do to communicate the corporeal and spiritual pain the music is putting you through.

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