A few years ago in the museum of the Oxford University Press, the author Pip Williams was shown a hypnotic short film made nearly a century earlier which crammed the entire production of an OUP book into 18 minutes. The 1925 film shows a workplace divided by gender. While men were responsible for setting the type, manning the presses and affixing the covers, the labour of women – who comprised around a ninth of the Press’s workforce – was often hidden.
“It’s a black-and-white, silent film, but they’re moving,” Williams explains. She was struck by footage of a woman gathering up long sheets of pages, sometimes 16 pages per side, so they could be folded then bound together.