Of all the many adaptations of Georges Simenon’s detective series, for both big and small screens, it’s hard to imagine many were as achingly world-weary as this latest. Directed by Patrice Leconte and starring an uncharacteristically glum and muted Gérard Depardieu as the eponymous policeman, the film creaks along on busted knees and broken spirits. Even the richly textured period details of 1950s Paris have a slightly moth-eaten quality. It’s dour, certainly, but the sense of bone-tired exhaustion and crushed hope that linger like pipe smoke works rather effectively for this particular case: the murder of a sad, lonely girl in a rented designer dress.
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Maigret review – Gérard Depardieu impresses as the never-more-glum gumshoe
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