The Reina Sofía’s new rehang opens, quite pointedly, with a painting of a detained man sitting, head bowed and wrists shackled, as he waits for the arbitrary hand of institutional bureaucracy to decide his fate.
The picture, Document No …, was painted by Juan Genovés in 1975, the year Francisco Franco died and Spain began its transition to democracy after four decades of dictatorship. Genovés’s faceless, everyman victim of the Franco regime’s control and repression is the natural starting point for the Madrid museum’s exploration of the past 50 years of contemporary art in Spain.
