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The Guardian - UK
The Guardian - UK
Entertainment
Anya Ryan

Love Steps review – a poetic guide to negotiating modern love

Potential for a happy ending … Sharon Rose in Love Steps at the Omnibus theatre, London.
Potential for a happy ending … Sharon Rose in Love Steps at the Omnibus theatre, London. Photograph: Steve Gregson

‘I want that movie love,” says Anna in Anastasia Osei-Kuffour’s debut play about finding romance. But how long is she supposed to wait for it? And is there a right path to love? Love Steps goes through the ups and downs of modern dating, weaving the rush of new love with sadness and fading lust.

Told mainly in poetry and rhyming verse, the play is a series of snapshots into 34-year-old Anna’s (Sharon Rose) search for the one. She swipes through unsuitable bachelors on dating apps and gets let down by those who are intimidated by her success or want to move too fast too soon. As a black woman, she is constantly objectified and fetishised online by strangers. The pressure to settle down is drummed into her: family members ask her when it’s going to happen. Happily coupled-up friends tell her not to give up hope. And yet, she can’t help but feel defined by love’s absence. The dating game looks like a bleak, unnavigable battleground.

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