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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

Love’s Labour’s Lost review – tech bros get swiped left in pitch perfect japes

Abiola Owokoniran as Ferdinand (centre) and Luke Thompson as Berowne (right) in Love’s Labour’s Lost at the Royal Shakespeare theatre.
High-quality frivolousness … Abiola Owokoniran as Ferdinand (centre) and Luke Thompson as Berowne (right) in Love’s Labour’s Lost at the Royal Shakespeare theatre. Photograph: Johan Persson

This early Shakespearean comedy might be rich in verse but it is a tricky play to pull off for its strained Elizabethan-era wordplay, convoluted subplots and too inevitable downfall of four men who swear off women – only to crack on the arrival of a female convoy.

Emily Burns’ whimsical production does not aim to eke out contemporary messages on masculinity but amps up the silliness, turning it into a modern-day romcom whose joke comes at the expense of Ferdinand (Abiola Owokoniran) and his trio of tech bros, including Bridgerton’s Luke Thompson as the sceptical Berowne.

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