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Alexander Sergeant, Lecturer in Digital Media Production, University of Westminster

Long Story Short: an appealing but unsuccessful animated fantasy of memory and liberalism

Long Story Short is the latest animated series from Raphael Bob-Waksberg, the talented showrunner who is best known for his early Netflix hit BoJack Horseman. As fans of his previous work will know, Bob-Waksberg’s sensibility seems to come through an eclectic mix of absurdist humour and raw, emotional realism.

BoJack started life as a madcap stoner comedy about a talking horse acting like an entitled fratboy. By the end of its six seasons, the show had evolved into a psychological drama about a supremely damaged man struggling in vain to heal himself, albeit a man who happened to have a horse’s head.

In contrast to BoJack’s evolutionary quality, Long Story Short starts exactly where it means to start. This is ironic, perhaps, given that the show’s central conceit is that it tells the story of a multigeneration family in a non-chronological manner.

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