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The Independent UK
The Independent UK
National
Thomas Adamson

Loewe puts on spring explosion of flowers and form at Paris Fashion Week

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Loewe’s latest VIP-filled collection dazzled at the Paris Fashion Week runway Friday, presenting an explosion of flowers and form that captured designer Jonathan Anderson’s innovative spirit.

The Northern Irish designer again showed his talent for infusing theatricality into his designs, showcasing whimsical creations like a surreal giant hoop skirt that lent the display an eccentric, circus-like feel. A stunning white gown adorned with vibrant floral prints radiated energy.

Here are some highlights of spring-summer ready-to-wear shows:

Loewe’s twists

Unexpected lines and twists on classic silhouettes dominated the runway, with the giant hoop transforming floral patterns into eccentric spectacles. Anderson expertly wove together historical inspirations from the Renaissance with the carefree looseness of the 1920s, mixed with surreal structured skirts and peplums that evoked a rich sense of heritage. All designs had something off-kilter about them.

A standout piece, a beautiful feathered poncho featuring a Van Gogh print, dazzled with its artistic flair. It illustrated Anderson’s ability to transform art into fashion and resonated deeply with camera-ready audiences. Each piece seemed to challenge the viewer’s expectations, daring them to reconsider the boundaries of traditional fashion.

In its exploration of bold concepts and mind-bending forms, the display occasionally veered into the overly conceptual. But Anderson still delivered a wealth of wearable pieces. The collection included striking items like a black trench coat with a fashion-forward midriff cut-out, which exuded rock-star magnetism and exemplified the brand’s leather heritage.

The piece, along with others, showcased Anderson’s mastery in balancing creativity with practicality.

Schiaparelli shines with bold whimsy

Daniel Roseberry's latest collection for Schiaparelli focuses on blending high fashion with refreshing accessibility. Though it featured less of the Surrealism associated with the late, great house founder Elsa Schiaparelli, the collection still celebrated whimsy, albeit a dialed down version.

Gone are the days of celebrity-driven runways. Instead, Roseberry crafted an eclectic mix of bold silhouettes and playful designs. Standout pieces included denim with a unique U-shaped dip at the waist, paired with curve-hugging ivory bodysuits that highlighted an hourglass shape. This motif, evident in a zip-front dress and sleek halter top, appeared throughout the collection, showcasing Roseberry’s knack for redefining femininity.

With fewer embroideries this season, the designer emphasized texture and details. Models strutted in gathered mesh jersey dresses, with fabric coiled like a braid, and dresses accented with suede for added luster.

Footwear also stole the spotlight, featuring Roseberry’s signature trompe l’oeil sneakers alongside leather babouche slides adorned with golden toe rings — transforming everyday items into artistic statements.

Roseberry drew inspiration from the women in his life who crave statement pieces that are effortlessly chic, with daring patterns, exaggerated shoulder pads, and bold floral motifs.

In a fashion landscape often driven by commercial pressures, Schiaparelli’s latest show carved out a dynamic space for creativity. Roseberry proved he can balance artistic whimsy with wearable elegance.

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