Bill Forsyth’s wonderfully wistful and charming comedy is rereleased after 40 years, and its happy-sad aroma is still as pungent as ever. It has a claim to be the last movie with the authentic spirit of the Ealing comedies; although with a longer perspective we can also see how it’s also indirectly influenced by producer David Puttnam in its high-minded spirit of Anglo-American amity.
The scene is a fictional fishing village in western Scotland, making its modest living from the lobster bound for the fancy restaurants of London and Paris, but which the locals can’t afford to eat. Peter Riegert plays Mac, a junior oil executive from Texas obsessed with work and material values, who has been tasked by his eccentric billionaire boss, Felix Happer, to travel to this village and persuade the entire community to sell up so that Happer can build a refinery there and capitalise on the new gush of North Sea oil. (There is a scene in which Happer appears to get a call from Margaret Thatcher in person.) Happer is played with unique brio and gusto by Burt Lancaster, whose legendary presence in itself confers something magical on the proceedings.