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The Guardian - UK
The Guardian - UK
Entertainment
Alexis Petridis

Little Simz’s subtle arrangements and fearless lyrics make her a worthy Mercury prize winner

‘Nuance, sophistication and a rigorous avoidance of cliche’ … Little Simz with her trophy.
‘Nuance, sophistication and a rigorous avoidance of cliche’ … Little Simz with her trophy. Photograph: Ian West/PA

As you can hardly have failed to notice, these are high times for UK rap. It’s a genre whose biggest stars regularly reach the top of the charts: Stormzy’s forthcoming third album is among the year’s most hotly anticipated and a recently published list of 2022’s biggest-selling singles so far features entries for Dave, Aitch and D-Block Europe. It’s all a long way from the days when the Mercury – always keen to nominate, and occasionally hand its award to, worthy British MCs – looked like it was doggedly supporting an area of music the general public had little interest in.

Little Simz has a high media profile – she’s critically acclaimed, has earned the praise of Kendrick Lamar and the patronage of Lauryn Hill, and has already won an Ivor Novello award for her 2019 album Grey Area – but commercially, at least, she seems to exist at one remove from the UK rap gold rush.

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