Wigmore Hall is turning 125, its director John Gilhooly was being granted honorary membership of the Royal Philharmonic Society, and everyone in the audience was shouted a free drink, but there was another cause for celebration on Sunday night. With Lise Davidsen, the world’s most in-demand opera singer, giving an all-Schubert recital it was a case of standing room only.
The Norwegian soprano has a Rolls-Royce instrument, more than capable of filling a house the size of the Metropolitan Opera, but up close she brought other qualities to the table. Her disarming warmth in seemingly off-the-cuff spoken introductions put the audience entirely at ease. Her ability to inhabit a character, as she does on stage, ensured songs such as Gretchen am Spinnrade and Die Junge Nonne were dramatic highlights. The former opened with a throbbing intensity and built to an eruption of volcanic proportions. Her fledgling nun seethed with a scared rapture that verged on the dangerously corporeal.
