Helena Wilson and Maggie Bain in Linck & Mülhahn
(Picture: Helen Murray)Imaginatively reverse-engineered from a historic trial document, Ruby Thomas’s tale of a couple who pioneered gender flexibility in 18th century Prussia is, ultimately, a bit of a mess.
It mashes up formal period speech and modern slang and sensibilities. Scene changes on Simon Wells’ stark, revolving set – of a staircase, a landing and a wall – are accompanied by jarring bursts of rock music including The Sex Pistols and The Clash. Though the story and ideas should be compelling, the arch tone of Owen Horsley’s production, and some panto-style acting in the supporting cast, keep us at arm’s length.
