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The Guardian - UK
The Guardian - UK
Entertainment
Sarah Crompton

Light of Passage review – Crystal Pite’s magnificent dance of life

A child, standing with one leg bent, is surrounded by adult dancers who gently hold the child's arms and legs in Crystal Pite's Light of Passage
‘Impossibly frail but fiercely hopeful’: a scene from Covenant, part of Crystal Pite’s Light of Passage at the Royal Opera House. Photograph: Tristram Kenton/The Observer

Crystal Pite is an extraordinary choreographer. Her uniqueness is not her talent for making dances for large groups of people that unfold with a silken energy, filling huge stages with ripples of movement. It’s not even her skill at carving dances that seem at once weightless and freighted with depth.

It is her belief, profound and unshakable, that dance can communicate emotion in a way that no other art can, as if the vibrations of the steps on stage trigger an empathy in the hearts of the watchers.

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