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The Guardian - UK
The Guardian - UK
Entertainment
Richard Godwin

Let’s spouge! Discover the funky joy of the greatest forgotten music genre

The Sandpebbles outside the Beverly Hills Hotel in Toronto, Canada.
‘It was what people wanted to hear’ … The Sandpebbles outside the Beverly Hills Motor Hotel in Toronto, Canada. Photograph: Courtesy of John Gibbs

Few artists have ever had the audacity to create a national music genre from scratch. This is what the Barbadian singer Jackie “Manface” Opel set out to do in 1968 – and more or less what he did. Born Dalton Bishop in 1938, Opel escaped a poverty-stricken background in Bridgetown to become celebrated as the greatest singer Barbados had ever produced to that point: a multi-talented entertainer with a multi-octave voice, who sang soul, calypso, gospel, R&B and ska, performed handstands on stage, doubled on sax and wrote hit songs on demand.

Talent-spotted by the Jamaican bandleader Byron Lee, Opel spent most of the 1960s in Jamaica, where he sang with the Skatalites and became a Studio One regular. Bunny Wailer called Opel “the greatest of them all”; Bob Marley cited him as the reason he wanted to sing; others remembered him as the closest thing the Caribbean had to James Brown.

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