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The Guardian - UK
The Guardian - UK
Lifestyle
Eddy Frankel

Laura Lima: The Drawing Drawing review – if everything’s on wheels, why doesn’t this show go anywhere?

photo shows Mechanised platforms (wood, metal, motors, electrical components, wheels), life model, paper, pencils and pens, still life display, ICA visitors.
Moving … Laura Lima: The Drawing Drawing at the ICA, London. Photograph: Anne Tetzlaff

One of the worst things contemporary art can make you do is think serious thoughts about stupid things. Sure, sometimes a urinal is beautiful, a shed is interesting, and an empty room is a container of countless ideas. But sometimes, it has no deeper meaning worth seeking out. Sometimes it’s just a bit silly.

Brazilian conceptualist Laura Lima would rather call it absurd. Her show at the ICA – her first solo presentation in the UK despite decades of international exhibitions and biennale appearances – is filled with surreal encounters, all of which are meant to jostle you out of your mundane, staid mental rut (“our habitual modes of attention”) and find meaning in the unexpected.

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