Punchdrunk’s last immersive production, The Burnt City, drew more than 600 masked theatregoers each night to spend three hours venturing around a sprawling saga based on Greek myths. Their next show, announced on Monday, will invite them to take off their shoes and socks for a slumber party.
“This whole thing is a bedtime story,” said the company’s founder, Felix Barrett, of Viola’s Room, which will open in May at their headquarters in Woolwich, south-east London. Audiences will wear headphones rather than masks and follow what Barrett called an audio-driven “linear story” rather than explore the “open world” of Punchdrunk’s trademark shows, which let you roam freely around the space. Theatregoers will, according to publicity material, “feel their way through a maze-like installation as an unseen narrator guides them on a sensory journey”.
