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The Guardian - UK
The Guardian - UK
Entertainment
Michael Cragg

Katseye review – petulant hyperpop bops from a girl group in crisis

Katseye members in matching sparkly outfits sing into microphones on stage
Just the right side of goofy … Katseye at the O2 Arena Photograph: PR

It takes a certain amount of resilience to be a Katseye fan. Since debuting three years ago via the boot camp meets reality TV show The Debut: Dream Academy, the multinational K-pop hybrid girl band have put their so-called Eyekons through the wringer. Last month alone they lost their second member to a “personal health and wellness” related hiatus, with Sophia joining Manon (who stepped away in more mysterious circumstances back in February) on the sidelines. Weeks later, they landed their first US No 1 album with Wild, a collection led by the carbonated dance-pop rocket Pinky Up – a song referred to by the band’s many online detractors as “skibidi toilet music” (ie slop).

Even as this debut arena tour arrived in the UK, there were fears the newly reshaped quartet might be reduced to a trio after Megan sprained her ankle. But if the fans are worried, they don’t show it, their ear-piercing screams drowning out the opening Hootie Frutti, a sonic melange that somehow makes Brazilian funk sound leaden. By the time petulant hyperpop bop Internet Girl kicks in they’re screaming lines like “eat zucchini, eat zucchini” as if their lives depend on it.

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