It’s hard to quantify the significance of Hurricane Katrina: the combination of a historic natural disaster and cold systemic indifference towards its impoverished African American victims makes it perhaps the most significant event in 21st-century Black American history. It’s no surprise, then, that more than one major documentary series has been made to mark 20 years since wind, water and a whole lot of racism devastated New Orleans, or that leading cinematic auteurs of two consecutive generations, Spike Lee and Ryan Coogler, have each executive-produced their own.
But watching Katrina: Come Hell and High Water, you do wish Lee and Coogler had got on the phone to check they weren’t doubling up too much. The new three-parter – the Lee one that arrives on Netflix to coincide with the week of the anniversary, has its impact dulled a little by the pre-existence of Hurricane Katrina: Race Against Time, the Coogler one which came out on Disney+ and National Geographic a month ago. For much of the screen time, this is a less comprehensive rendering of the same story, using many of the same clips and interviewees.
