Kate Grenville crouches down on a rock on Sydney’s lower north shore, feet bare, next to a Cammeraygal engraving of a whale. The writer is careful not to trespass on the art. “You can just see the little figure,” she says, pointing to a faint outline of a mysterious tiny human with outstretched arms and legs in the leviathan’s belly.
Ten-year-old Kate was first brought to this coastal Waverton site on a school excursion almost 65 years ago, but remembered only the big whale, not the little human. “The whole thing was kind of trivialised,” she says. “The [whale] outline was picked out in this white Dulux gloss, so I was astonished when I came back and realised there was a figure inside.”
