Comedies don’t come hipper than this New York transfer from Kate Berlant. Its director is the prodigious talent behind lockdown hit Inside, Bo Burnham; Florence Pugh and Phoebe Bridgers were in its first-night crowd. To some extent, it’s a case of do believe the hype: Berlant is one of comedy’s most electrifying, distinctive talents. Her show, titled Kate Berlant is Kate, is a success qualified only by comparison with her even-more-brilliant standup – and with Liz Kingsman’s 2021 hit One-Woman Show, whose mickey-take of self-advertising solo performance this unmistakably echoes.
The show begins in the foyer, plastered with glorifying images of Berlant, and haunted by the 36-year-old herself, wearing a sign that reads: “Ignore me.” On stage, she recounts the supposed life story of this star-in-the-making, from young Kate’s romance with her absent dad’s camcorder, via the stifling of her talent by a hostile mum (“she smashed more than my camera that day; she smashed my dreams”) to Kate’s move to New York and a career on the stage. But the screen is her destiny, and – for the stoopidest of reasons – celluloid stardom remains tantalisingly out of reach.
