Judy Baca still recalls the day in the 1970s when the curator of an exhibit showcasing the work of emerging Los Angeles artists told her she couldn’t possibly include Baca in the show. “These are only people touched by an angel,” Baca remembers the woman saying about the the all-male group of artists she had selected. The message was clear: Baca was not worthy of a museum.
Fifty years later, Baca’s an internationally celebrated artist, whose large-scale works of public art have left an unmatched imprint on the artistic landscape of LA. And the Chicana muralist, scholar and activist is now receiving long overdue mainstream recognition. The Museum of Latin American Art (Molaa) in Long Beach, California, is running the first major retrospective on her work, and a major show at the Museum of Contemporary Art (Moca) in Los Angeles is planned for September.
