Fifty pages into John of John, Douglas Stuart’s atmospheric third novel, you can almost feel the cold, damp air of the fictional Hebridean village of Falabay, and come to recognise its brooding and eccentric inhabitants like old friends and neighbours.
Through a microcosm of everyday island life, Stuart demonstrates his finely honed skill in exploring the fundamental tensions of the human condition that have preoccupied men and women for centuries.
