We’re a few weeks into the annual Netflix Christmas dump and standards have already fallen below freezing. In both Alicia Silverstone’s A Merry Little Ex-Mas and Minka Kelly’s Champagne Problems, motions were lethargically, and cheaply, gone through without any seasonal sparkle added, a low bar once again set for the next month and change.
So while there’s nothing all that remarkable about the streamer’s latest festive effort, crime caper turned romcom Jingle Bell Heist, there’s just about enough to give it an edge over its more anemic peers. Rather than being set in Snowflakeville or some other absurdly named small town in Middle America (while clearly being filmed in Canada), it’s shot on location in London during Christmas 2023 (directed by Mike Flanagan’s long-time cinematographer Michael Fimognari). The city does a great deal of heavy-lifting with every pub, caff and high street helping to conjure up a real sense of place usually absent in such territory (it also means no need for increasingly distracting fake CG snow). There are roles for British comedy stars like Peter Serafinowicz and Amandaland’s wonderful Lucy Punch and the soundtrack opts for alternative holiday songs from Low and Run-DMC over yet another easily affordable cover of All I Want for Christmas Is You. There’s also a plot that isn’t quite as rote as we’re used to with no career-minded woman waiting to be tamed by a family-craving hunk. These might not sound like major, applause-worthy diversions but in the hopelessly generic, and at times unforgivably lazy, world of Netflix Christmas fodder, it’s not nothing.
