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The Guardian - UK
The Guardian - UK
Entertainment
Mark Fisher

Jekyll and Hyde review – Shakespearean style shows another side to Stevenson thriller

Adam Donaldson in Jekyll and Hyde.
Blinded by ambition … Adam Donaldson in Jekyll and Hyde. Photograph: Tommy Ga-Ken Wan

It is not quite a Dylan-goes-electric moment, but for the first time in two decades neither of the plays being staged by Bard in the Botanics, the summer repertory company, is by Shakespeare. In a mini-Victorian season, you can see The Importance of Being Earnest on the outdoor stage, while here in the 150-year-old Kibble Palace glasshouse Jennifer Dick has adapted Strange Case of Dr Jekyll and Mr Hyde.

Notwithstanding the change of author, Dick gives the Robert Louis Stevenson thriller a Shakespearean sense of oratory. Our point of entry is the lawyer Gabriel Utterson, a narrator who eases us from the prose of the novella into a stripped-down drama for three actors. Played by an excellent Stephanie McGregor as confidant and conscience to Adam Donaldson’s arrogant Dr Jekyll, Utterson speaks in the vivid language of a storyteller, all lengthy sentences and iambic rhythms, calling on the breath control of an experienced classical actor.

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