The atmosphere backstage at the Doctor Who-themed queer, adults-only cabaret night is every bit as chaotic as you might imagine. Hairspray clouds air already thick with overlapping conversations between drag kings and queens, singers and burlesque artists. In its midst, Reece Connolly adjusts his ruffled shirt and rhinestoned bow tie, and turns to his fellow performers. “This is a genuine question: do you think these are too tight?” he asks, gesturing to his black trousers. “No, they’re hot,” replies cabaret all-rounder Mariana Trench. The other acts agree, encouraging Connolly to “give [the audience] what they want”. He nods, and looks to me with mock sincerity: “This is community. This is what community looks like.”
Being a fly-on-the-dressing-room-wall backstage at the Wales Millennium Centre is a heady, exhilarating and slightly overwhelming experience. But for the stars of Gallifrey Cabaret, this scene of “gorgeous chaos” (as red-headed, red-moustached drag queen Carrot describes it) is business as usual. The show, which tours the UK with a mixed bill of drag, burlesque, live music, comedy, aerial performance and dance, is celebrating its fifth anniversary this month with an extra-special extravaganza at the Clapham Grand in London, and keeps getting bigger and better. Even fire acts and a dog have been given the Time Lord twist – albeit not at the same time.
