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The Guardian - UK
The Guardian - UK
Entertainment
Lyndsey Winship

‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical

Thelma and Louise outdoors, with Geena Davis aiming a handgun as Susan Sarandon watches
‘Nothing’s ever come as easily’ … Susan Sarandon and Geena Davis in the 1991 film. Photograph: Pictorial Press Ltd/Alamy

‘I have a world-class case of beginner’s luck,” says Callie Khouri, who won an Oscar for her very first screenplay, Thelma & Louise. She also scored a hit with her first TV series, Nashville, which lasted six seasons. And at 68, she is taking on another first by penning a musical theatre version of Thelma & Louise, hoping her luck hasn’t run out. “I hope that this is not the end of that streak,” she laughs. “That I don’t hit a wall here and slide down it like Wile E Coyote.”

Thelma & Louise isn’t an obvious bet for a musical. A story that features an abusive marriage, attempted rape, murder and double suicide doesn’t scream “jazz hands”, and Khouri had turned down offers before. “My agent said, ‘There’s a guy who wants to meet you to talk about doing Thelma as a stage musical,’” says Khouri. “And I just thought, ‘Well, that’s nuts!’” But the iconic 90s film – starring Susan Sarandon and Geena Davis (and a young Brad Pitt) – is an ultimately triumphant piece of cinema: a feminist road movie driven by the power of female friendship, which still captures imaginations. Khouri was eventually convinced. It’s been a decade in the pipeline, but things took off when uber-producer Sonia Friedman came on board, and now it has premiered at London’s Young Vic, starring Rachel Tucker and Amy Lennox.

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