In 2036, the actor Samuel West will take to the stage to perform Krapp’s Last Tape – Samuel Beckett’s pensive monologue in which an old man, hunched over a reel-to-reel recorder, listens back to the voice of his younger self. West will be 69, the age of Krapp in the play. And remarkably, the tape he plays will feature the sound of himself as a younger man, recorded in 2006, when he was 39 – the age Krapp was on the night he made the recording. Two years later another actor, Richard Dormer, will do the same, using a similar recording that’s currently locked away in a BBC vault.
These are the most improbable commissions of the Samuel Beckett Biennale, which promises to deliver experimental “performed readings” of the playwright’s works in pockets of Ireland and Britain over the next 12 years. It is organised by Seán Doran and run through his cross-border organisation Arts Over Borders. Events will unfold at locations of significance to Beckett’s life and legacy – from Enniskillen, Belfast and Dublin to Folkestone, Reading and Snodland – tracing his footsteps across Britain and Ireland.
