Sam Smith logs on to our video call with the username “Lily of the Valley”, the May-born singer’s birth flower. It sets a serene tone. They’re in Guadalajara, Mexico, for the latest stop of a residency tour, titled To Be Free, in support of their fifth studio album. Instead of Smith’s usual jet-lagged arena itinerary, this lower-key excursion stops at smaller venues in only six cities and sheds the ostentatious theatricality of their last outing.
On stage on their last tour, “I was flailing around on a massive gold bum and had, like, seven costume changes,” Smith says with a chuckle. It’s intimacy they’re after now, the ability to satisfy their “craving to look at people again”, which matches the romantic feeling of their fifth album, Hazel Eyes. But for Smith, whose genre-shifting stardom has been accompanied by harsh controversies, it’s also a chance to observe who’s still in their corner: “There’s some wonderful people that have stayed, but it’s a completely different room than it was with In the Lonely Hour,” their 2014 debut.
