It is surely a comfort to anyone still awaiting mega-success to know that June Squibb was in her mid-80s before she hit the big time. Her role as a foul-mouthed matriarch in the 2013 film Nebraska brought her an Oscar nomination, and she had her first leading role in last year’s action comedy, Thelma. Now she’s playing the lead again, in the new film Eleanor the Great and she’s currently in rehearsals for a show on Broadway. Is Squibb, who has just turned 96, sick of talking about her late-peaking success? “I think people are interested, so no, it’s not a bad thing,” she says. “But it is funny, because when I first came to New York – it was the 50s – I did The Boy Friend, a musical, and I was a big hit.” But it was theatre, she concedes. “The film thing is so different.”
In Eleanor the Great, Scarlett Johansson’s directorial debut, Squibb plays Eleanor Morgenstein, a 94-year-old woman who, mourning the loss of her best friend Bessie, moves from Florida to New York to be near her daughter. Encouraged to make new friends, Eleanor goes to the local Jewish community centre to join a choir, but the woman belting out Stephen Sondheim is enough to make anyone rush for the door. “Oh god,” mutters Eleanor, backing away, before being scooped up by the Holocaust survivors group, meeting at the same time, who erroneously assume she’s one of them. Lonely and grieving, US-born Eleanor finds herself passing off Bessie’s survival story as her own.
