Get all your news in one place.
100's of premium titles.
One app.
Start reading
Louder
Louder
Entertainment
Julian Marszalek

“It sits between Genesis, Van der Graaf Generator and Roxy Music – all viewed through a haze of spectral menace”: Before Crowded House, before their new-wave hits, Split Enz were unabashedly prog

L-R: Mike Chunn, Eddie Rayner, Malcolm Green, Phil Judd, Tim Finn, Noel Crombie and Robert Gillies of Split Enz pose for a group portrait in 1976 in Amsterdam, Netherlands. (Photo by Gijsbert Hanekroot/Redferns).

Prog often shines a light on artists who are positioned outside the genre, but whose works occasionally overlap sufficiently to reward exploration. But what of those musicians whose origins were once firmly entrenched in prog, only for those roots to be obscured by the passing of time?

Step forward New Zealanders Split Enz, whose 1975 debut album Mental Notes is so unabashedly prog that it’s astonishing it doesn’t wear a cape or shave the middle of its hair.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.