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The Guardian - UK
The Guardian - UK
World
Annie Kelly

‘It’s not our job to make photos that are easy to look at’: the female photographers exposing the cost of conflict in 2024

A woman presses her  forehead against the forehead of a smiling young girl who sits on her lap on a car seat
‘Her small face rests forehead to forehead with her exhausted mother’: Natalia Kryvolapchuk comforts her daughter, Sonya, en route to the children’s hospital in Chernivtsi, Ukraine – just one victim of wars now raging all over the world. Photograph: Lynsey Addario/NYT

For Lynsey Addario, a celebrated conflict photographer, covering war in 2024 was all about a six-year-old girl from Ukraine. For most of the summer, Addario followed Sonya and her family as they navigated the final stages of her short life in a hospice in Chernivtsi, western Ukraine.

The girl’s treatment for retinoblastoma, an aggressive eye cancer, had been disrupted by the Russian invasion in February 2022 and then lapsed when the family were forced by the fighting to move to Poland as refugees. By the spring of this year, her body was riddled with tumours.

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