
Before buying this house, Laura Sawyer’s pros and cons list looked perplexing. On the downside, it had no central heating or insulation; the floor joists were rotten; the chimneys were letting in water (so add damp issues to the list) and some parts were structurally unsound.
But the positives immediately won out. "It was my dream house," says Laura. "I love Victorian design – it’s pragmatic. I love the original features, the double-front, the light, the proportions – it’s a four-bed house, but it’s so cozy." And she also loved the opportunity to start over completely, to conjure up a modern home: "I could create my perfect environment."

MADE's Thea accent chair makes for a pretty perch in this space – grab it for your own home.
In fact, that can-do spirit was Laura’s key criterion when it came to recruiting tradespeople: the ones who said "Oh, this is a huge job" did not get hired. With a strict budget, Laura, founder of The Detail, designed and project-managed the entire renovation herself, but also commissioned architectural drawings and enlisted her "incredible" wood-scientist father for his expertise on damp and timber – not to mention his problem-solving prowess.

To minimize costs further, she stripped wallpaper, had "a lot of fun" knocking out a chimney, and, every day, swept and bagged up the building mess, so that her builders could crack on with the skilled work. From her experience in prop styling, she was also able to do the wall paneling and fiddlier details, such as the scalloped shelving.

Laura’s vision was to create "somewhere luxurious and calm, which flowed in every sense", so she altered the floor plan, taking out a wall here, moving a bathroom there, in order to optimize that flow. The Victorian features — cornicing and ceiling roses, architraves, sash windows — were restored or sympathetically replaced.

This bedside table is a bit of a splurge, but it instantly elevates a space made up of a mix of pieces, including high-street buys.
And then, inspired by boutique hotels, she elevated her home. "A beautifully designed hotel makes you feel at home, even though it’s aspirational," she says. "When people stay here, they say it’s like being on holiday." It’s also about everything having its place, like in a well-designed hotel – particularly helpful, she adds, "because I’m forgetful. If things get messy, I find it difficult to concentrate."

Upstairs, Laura had the possibility of having three guest bedrooms, but felt it was important she was able to use every room in the house, otherwise it would "feel wasteful". So she created a dressing room adjacent to her bedroom, with pocket doors hidden in a connecting archway; she also installed adaptable furniture and painted the rooms in "sister" colors that would work together. In fact, throughout the house, the palette is cohesive. "I wanted different colors, but so you wouldn’t notice — I wanted it to flow. It helps with the feeling of calm."

The house has been designed for guests – not just Laura’s friends and family, but attendees of her forthcoming arts and culture gatherings. Throughout the house are "Easter eggs", says Laura, "design elements only discovered by people curious enough to find them".
Variously themed on disparate things such as Willy Wonka, birds, circles, and Poland (she’s half-Polish), they can be found hiding behind doors, high on wall,s or blending into the background. As she says, "Why not be playful? Why not be surprising?"