“A prodigal son story with God as the father,” is how actor Paul Bettany describes Amadeus, the Peter Shaffer play that became a celebrated film in 1984. Both depict the rivalry between Austrian court composer Antonio Salieri and Wolfgang Amadeus Mozart, a former child phenomenon whose towering talent exposes Salieri as mediocre and stuck in his ways. Salieri, who believes a composer’s gift to be divine, is so affronted by this upstart that he renounces God and sets about destroying Mozart.
Now Amadeus has been remade for TV, with Will Sharpe in the title role and Bettany as Salieri. The series, which begins with Mozart arriving in Vienna in a rickety carriage and promptly throwing up in the street, is written by Joe Barton, the Black Doves and Giri/Haji writer known for his leftfield approach to genre TV. Little surprise, then, that Amadeus takes liberties with the classic period drama, injecting it with modern-day dialogue and gloriously anarchic flourishes. While I won’t divulge the details of an early sex scene between Mozart and a young soprano, safe to say you won’t look at a macaron the same way again.
