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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

‘It’s brutal right now’: one-woman powerhouse Maimuna Memon on the surprise aftermath of winning an Olivier

Maimuna Memon rests her arms on top of a guitar laid sideways on her lap
‘It’s reducing the number of jobs available’ … Memon, who has revived her Manic Street Creature musical. Photograph: Antonio Olmos/The Guardian

This time last year, Maimuna Memon was surfing an almighty career high. The Lancashire-born composer, writer and actor had just won an Olivier award for her performance in the musical Natasha, Pierre and the Great Comet of 1812, based on a section of War and Peace. But then it all went silent. “I didn’t expect to skyrocket but I did think, ‘OK, what’s next?’” she says. “And it was a rather quiet year, which was tough.”

It turned out to be useful, in terms of “stripping the ego away”. She went to Galway to be with her mother, a nurse and fiddle-player. “I watched her play and saw these incredible musicians playing for the love of it – not for how they will be reviewed, or to win any awards, or any of that.”

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