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Guitar World
Guitar World
Entertainment
Joel McIver

“It all went a bit sour and nasty. Eldritch likes a battle – he thrives on confrontation. Mind you, he told me I was the best guitarist he’d ever worked with”: The difficult birth of The Sisters of Mercy’s trailblazing goth classic

Wayne Hussey wears dark sunglasses and plays his tear-drop Vox 12-string live with the Mission in 1990. .

Like their counterparts in the grunge movement, every goth band denies being a goth band. In the case of the Sisters of Mercy, the masters of doom who first came up with the somber, post-punk template that has fuelled a thousand goth bands since the ’80s, that denial is complete – at least if you ask their leader, Andrew Eldritch.

When GW sits down with the British band’s former guitarists Wayne Hussey and Gary Marx, however, they’re a bit more relaxed about the goth tag: for them, the sole album that they made with Eldritch is simply a guitar-loaded classic.

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