Ishiuchi Miyako photographs abandoned buildings. She photographs scars on human skin. She photographs old Kimono fabric. She photographs lipstick. She photographs her own water-damaged prints.
But there's something that connects all her photography. Something that makes it unmistakably hers. It's not what she's photographing; it's how she photographs. She has an eye for how time leaves marks on things. With how worn objects tell stories through their texture and decay.
