
THREE years ago, before Covid-19 was a malignant thing, I visited HMYOI (Her Majesty’s Young Offenders Institution) Polmont for this newspaper. My purpose was to observe the work of the pioneering performance in prisons company Polmont Youth Theatre (PYT).
PYT was the brainchild of Jess Thorpe and Tashi Gore, the devised theatre experts behind such companies as Glasgow community group Glass Performance and the, sadly now defunct, Glasgow youth theatre Junction 25. The Polmont company was bringing together young men within the institution to make their own theatre works.