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The Guardian - UK
The Guardian - UK
Entertainment
Lanre Bakare

Initiation stones, buried recordings, and Ringo Starr’s drumkit: inside the visionary world of reggae master Lee ‘Scratch’ Perry

Lee ‘Scratch’ Perry with short hair and headphones, pictured in a recording studio, circa 1980.
Ark life … Lee ‘Scratch’ Perry at the mic, pictured around 1980. Photograph: David Corio/Getty Images

David Katz’s introduction to the world of Lee “Scratch” Perry was bewildering. The Jamaican producer had been living in London for several years, and Katz, a music journalist who had fallen in love with reggae as a teenager in San Francisco, had moved to the UK capital in 1987 and wanted to interview the notoriously evasive artist.

Katz tracked him down to a recording studio in Rotherhithe, just over the river in south London. Perry welcomed him before insisting he present him with “13 stones from your country” with no further explanation. When Katz informed him he could hardly just pop back to the west coast, Perry told him to “go down to the River Thames and get me 13 stones!”.

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