Get all your news in one place.
100's of premium titles.
One app.
Start reading
Los Angeles Times
Los Angeles Times
Entertainment
Mark Olsen

Indie film is at a crossroads. And Sundance is full of ‘canaries in the coal mine’

When the Sundance Film Festival last came to Park City, it was the Before Times. Before COVID-19 drastically altered billions of lives, yes. But also before the carefully cultivated entertainment industry ecosystem of which the festival is a part was wildly upended.

In addition to halting the in-person version of the annual Utah conclave in 2021 and 2022, after all, the pandemic caused theatrical filmgoing to cease altogether for a time. And — for a host of reasons, from public health concerns to the proliferation of streaming platforms — audiences for the arthouse movies that are the festival’s lifeblood have been slow to return to cinemas in the years since. Even after producing last year’s Oscar winners for best picture (“Coda”) and documentary feature (“Summer of Soul”), Sundance returns to Park City this week as the purpose of the festival, and perhaps of film festivals in general, seems ripe for reconsideration.

What, in 2023, is the Sundance Film Festival for?

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.