Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable task: turning a brief, philosophical novel into a cinematic experience.
Though the book is short, it is dense and readers often discover it requires multiple readings. Camus’s spare prose conceals profound questions about morality, society and human existence. Translated into over 75 languages with millions of copies sold, The Outsider has inspired stage, screen, radio and even graphic and manga adaptations. It has long been a set text in schools and universities, often perplexing young readers, just as it did a young Ozon. This film offers an invitation to return and reflect on Camus’ work.
The story follows Meursault (Benjamin Voisin), a French-Algerian office worker living in Algiers. The novel famously opens with the death of his mother, whose funeral he attends with apparent emotional detachment. He begins a relationship with Marie (Rebecca Marder), who formerly worked in the same office and becomes involved with Raymond (Pierre Lottin), a neighbour entangled in a violent dispute.
