“Why are you making me cry?”
It’s an ironic question for Chloé Zhao, of all people, to be asking the morning after premiering “Hamnet” at the Toronto International Film Festival. On the festival circuit this fall, no film has spawned more of an outpouring of emotion than “Hamnet,” a speculative drama about William Shakespeare, his wife, Agnes, and the death of their 11-year-old son.
