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The Conversation
Matt Jacobsen, Senior Lecturer in Film History in the School of Society and Environment, Queen Mary University of London

If I Had Legs I’d Kick You is a warts-and-all portrait of a psychotherapist struggling with an ailing daughter

Rose Byrne won a Golden Globe and is nominated for an Oscar for her performance in If I Had Legs I’d Kick You. It’s a film about frayed mother Linda (Byrne) coping with her daughter’s strange, unspecified feeding disorder.

In director Mary Bronstein’s words, the film is “a surreal, horrifying, blackly funny portrait of a mother simultaneously kicking against and coming to terms with her maternal instincts”. Bronstein has drawn from her experiences with her own child’s illness, responding to what she sees as a gap in film and TV of authentic depictions of motherhood – or as she puts it: “Fully dimensional portraits of women who feel they can’t do it [and] are traumatised by expectations and circumstances.”

Representations of psychotherapy are foregrounded in the film. It opens in a counselling session with a paediatric specialist. An intense close-up holds on Byrne’s face as she defends herself from accusations that as a mother, she lacks boundaries and discipline. According to her daughter (Delaney Quinn): “Mommy is like putty [while] Daddy is hard.” When Linda crossly refutes the comment, the doctor tells her that “perception is reality”.

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