
Along with Weather Report's Birdland, Deep Purple’s Smoke on the Water, and Pink Floyd's Another Brick in the Wall, one of the most mesmerizing bass guitar riffs of the 1970s is that of Herbie Hancock's Watermelon Man from his 1973 album Head Hunters.
Penned by Hancock, Watermelon Man first became a hit when Cuban percussionist Mongo Santamaria released his Latinized take of the tune in 1962, igniting the boogaloo craze of the 1960s. When Hancock recorded a grooving bop version for his own solo debut, Takin’ Off, he called on bassist Butch Warren to hold down the sparse groove, a 16-bar blues in F.