A movie’s themes could hardly be more urgent and contemporary than those on offer in this entirely absorbing film from German director Isabelle Stever and Ukrainian critic turned screenwriter Anna Melikova. It’s a bulletin from the frontline of Russia’s war on Ukraine, and from the culture war too. It is about identity and choices made in peacetime when less was at stake. There is a bold and brilliant premise that may at first look artificially satirical but is actually inspired.
When Russia begins its attack, the crisis is very specific for a scared young Ukrainian couple, recently engaged: Olya (Tania Myronyshena) and Oleh (Markus Bright). As bombs rain down, they head west in the cramped car of Olya’s elderly mum and dad – with Olya grumpily objecting to her dad’s sexist comments from behind the wheel about female drivers – to stay with Olya’s sister, who is married with a young baby and whose husband, to her fury, has joined up. Oleh’s plan is to get out of Ukraine and live with Olya in the safety of Germany and the EU.
