“I liked that they were the underdogs. It was not the mainstream guitar. It was something that was hard to find”: Vox guitars deserve a second look – just ask L.A. Witch’s Sade Sanchez, who’s teaming hers with ugly pedals for nouveau garage rock thrills

Sade Sanchez.

Surfy, fuzzy and tinged with melancholy, L.A. Witch emerged in 2017 with a self-titled debut that sounded like it had been baked by the California sun then cooled in its underground haunts.

Cut in Paris at Motorbass Studio, DOGGOD resonates with a certain je ne sais quoi and pushes into new territories – sonically and otherwise.