In January 1976, the cover of the NME didn’t feature an artist, but a photo of a room damaged by an IRA bomb: there had been a string of terrorist attacks in London the previous year. The headline: “Is rock’n’roll ready for 1976 … Is 1976 ready for rock’n’roll?”
In the accompanying feature, writer Mick Farren was to be found complaining vociferously about the state of music. Audiences are “prepared to tolerate just about anything”. Rock has “lost its guts” and “is on an unalterable course to a neo-Las Vegas”, because artists are “totally insulated from the real world” and thus making music that “seems so damned irrelevant to real life”. Farren reiterated these points in June in a piece titled The Titanic Sails at Dawn, by which point it was obvious that some new artists completely agreed with him.
